
It’s hard to believe it’s 35 years since a plasticine man in a sweater and slippers, along with his voiceless, but hugely expressive dog, burst on to our screens and won the hearts of millions with their mix of humour, charm and nostalgia.
Wallace and Gromit managed to be both familiar and fresh, and their modest creator Nick Park couldn’t have foreseen how their handmade adventures would change the world of animation and make Wensleydale cheese internationally famous.
But three decades on and Preston-born Park is beginning to realise that his flair for feel-good filmmaking has made him a very big deal.
Oscar wins and box office hits aside, his latest accolade, in the Lancashire city where he was born and bred, clearly means a lot.
A new Wallace and Gromit exhibition is being showcased at the Harris Museum, which Park visited frequently growing up.
The historic landmark looms large over the city centre and is filled with artefacts and treasures that inspired him as a boy.
He was drawn to the library and devoured books on his favourite subject, you guessed it, animation.
The museum has been closed for four years as part of a £19m revamp. And who better to re-open it this weekend than Park.
As we meet at the exhibition, he tells me he was a quiet child who loved drawing. Visits to the museum helped shape his creativity and storytelling.
He said: « I used to love spending a day around here looking at all the artefacts, the paintings. I used to come to the library here, there was no internet, and so I would look for books on animation.
« I would scour the library for anything I could get my hands on. »
We chat in a life-size replica of Wallace and Gromit’s living room. The wallpaper, standing lamp and armchair are so familiar.
Park says it’s like sitting in one of his own sets.
The living room was actually based on his grandma’s house, which he describes as a cosy 1960s home. And as he sits in the chair with his cup of tea, he jokes that he’s now turned into Wallace.
He said: « I feel like I’m made of clay, sitting on a replica set, it’s just incredible. »
But that’s the joy of his films – the personal touch. And whilst they’re unmistakably Northern, inspired by Park’s family and upbringing, they’re also universally relatable.
He said: « I used to draw from my own childhood a lot, and that’s what inspired me. Because it feels true to do that.
« So, I went to memories of my granny, the lamp stand that my granny had and other objects, toasters, clocks, you name it. »
Park is now arguably as famous as his much-loved characters. Something he seems to be finally getting used to.
He says he’s honoured and a little overwhelmed that his hometown holds him and his clay creations so close to his heart.
He said: « I was a shy teenager, and just talking about this hobby, I never imagined they would become household names.
« So, to have statues of my characters in the centre of town and now to be opening this newly refurbished exhibition and my own exhibition. To be here with my own characters, it’s just crazy. »
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I ask what this stop motion supremo makes of the use of AI and technology in film.
He said: « We need to hang onto our values, there’s something about handmade quality that gives everything charm and appeal.
« It would probably be wrong to completely ignore that. »
The exhibition is immersive and emotive. Being up close and personal with the models, drawings, and characters evokes the same feelings as the films do. Warmth, humour and nostalgia.
A journey through the formative years of a young filmmaker and the birth of one of cinema’s unlikeliest heroes.
Park is now inspiring the next generation of storytellers and filmmakers at the museum, which played such an important part in his own success story.
Wallace and Gromit in A Case at the Museum Exhibition opens on Sunday and runs until January.